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Batman and Psychology: A Dark and Stormy Knight by Travis Langley

By Travis Langley

A trip at the back of the masks and into the brain of Gotham City’s Caped Crusader, timed for the summer season 2012 liberate of The darkish Knight Rises

Batman is among the such a lot compelling and enduring characters to come back from the Golden Age of Comics, and curiosity in his tale has in basic terms elevated via numerous incarnations because his first visual appeal in Detective Comics #27 in 1939. Why does this superhero with no superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores those and different interesting questions about the masked vigilante, together with: Does Batman have PTSD?  Why does he struggle crime? Why as a vigilante? Why the masks, the bat, and the underage accomplice? Why are his so much intimate relationships with “bad ladies” he should lock up? And why will not he kill that homicidal, green-haired clown?

  • Gives you clean insights into the advanced internal global of Batman and Bruce Wayne and the existence and characters of Gotham City
  • Explains mental conception and ideas in the course of the lens of 1 of the world’s most well liked comedian ebook characters
  • Written by way of a psychology professor and “Superherologist” (scholar of superheroes)
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Extra resources for Batman and Psychology: A Dark and Stormy Knight

Sample text

He’s the superhero with no superpowers, the one we can most easily believe might inhabit our world. While his secret identity is the most fantastic of the three, one charmingly handsome billionaire living in a grand mansion on top of a vast cave versus two nebbishy newspaper employees, that fantastic wealth helps us accept his masked identity as something that feels real. Someone has to pay for those wonderful toys. The real world has more people known to be superrich than superpowered. Batman is the hero even adults can envision existing in real life, with less suspension of disbelief.

The Dynamic Duo teamed up with Scooby-Doo, joined the Super Friends, tolerated Bat-Mite, and—due to the restrictive nature of 1960s to 1980s standards and practices—improvised nonviolent ways to combat evil over the course of assorted Saturday morning programs that offered no depth, few psychological insights, and precious little to attract adults. Many25 nevertheless consider Batman’s definitive screen depiction to have been that of one particular cartoon, Batman: The Animated Series. In 1992, Warner Bros.

Without heroes during times of peace, who’s ready to oppose evil when new conflict appears?

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