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A Convenient Hatred: The History of Antisemitism by Phyllis Goldstein

By Phyllis Goldstein

A handy Hatred chronicles a truly specific hatred via strong tales that let readers to work out themselves within the tarnished reflect of heritage. It increases vital questions on the results of our assumptions and ideology and the methods we, as contributors and as contributors of a society, make differences among "us" and "them," correct and mistaken, reliable and evil. those questions are either common and specific.

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Extra info for A Convenient Hatred: The History of Antisemitism

Example text

The Stein sentence is a superficially simple artefact, constructed around coordinated clauses, repetitive use of conjunctions and a calculatedly circumscribed lexicon; but repetition and echoes within paragraphs create a densely poetic texture. The architecture of paragraphs is central to Stein's compositional technique. She cuts and edits her paragraphs to lend emphasis to particular phrases or sentences; she was a great user of the single-sentence paragraph, allowing an individual statement to stand forth from the page with sudden clarity.

The central passage in this book is Mencken's trenchant, cynical account of why women get married: But of all things that a woman gains by marriage the most valuable is economic security. Such security, of course, is seldom absolute, but usually merely relative: the best provider among husbands may die without enough life insurance or run off with some preposterous light of love, or become an invalid or insane, or step over the intangible and wavering line which separates business success from a prison cell ....

22 But in The Awakening she presents this route to female self-definition as in itself already decayed, degenerated and emptied-out of significance by weariness. Edna quite literally besmirches art, writing it out as a forum where a woman might become a heroine. A form of fin-de-siecle discontent afflicts Edna. She has no sense of the past or the future; she lives only for the moment. Her interest in painting is a manifestation of a languid, decadent aestheticism, ultimately devoid of great significance.

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